In an era overflowing with information and indulgence, Generation Z is confronting a profound sense of emptiness. The internet grants access to nearly all human knowledge, yet many young people feel adrift, chasing self-centered pursuits that echo the futile search for meaning described in the Book of Ecclesiastes. I have included a picture of a painting by Mark Rothko that sold for $37.8 million the other day, and as I looked at it and thought about one of the main reasons for this existential field of art I thought about the selfishness of it. Our current cultural vacuousness, is also mirrored in the narcissistic allure of existentialist art by Mark Rothko, Jackson Pollock, and Francis Bacon, and really reflects a society obsessed with self-definition and self focus. These artists’ abstract or chaotic works invite viewers to project personal meaning onto what often feels like “nothing,” and that of course is the point of it, this art is embodying the existentialist mantra that individuals create their own purpose, from themselves and for themselves. In the nothingness of these paintings, we project ourselves as the meaning. Yet, as Ecclesiastes warns, such pursuits are “vanity” without God. A growing number of Gen Zers are rejecting this hollow path, turning to the Bible and a Christ-like life of giving and loving others, as illustrated by certain mother’s transformative journey from bitterness to forgiveness that I will also connect to this idea.
But first—Augustine’s insight that evil is a corruption of good resonates deeply in our self-focused age. Like Anakin Skywalker’s descent into Darth Vader, the potential for greatness can twist into darkness when it strays from its intended path. Words for “wrong” across languages—deviance, perversity, corruption—evoke something good gone astray. Our culture often distorts reality to suit personal desires, as Isaiah warned: “Woe to those who call good evil and evil good” (Isaiah 5:20). Shakespeare’s Macbeth, unable to cleanse his guilt, wished to stain the world to match his shame, a metaphor for a society reshaping morality to fit individual egos. Augustine, quoting Jesus, notes that evil flows from a heart turned inward (Matthew 15:19). The path out of this isolation is to reject the self-centered shroud and embrace a life of love and connection, as God designed.
This struggle with brokenness and the journey to redemption is profoundly and always deeply personal, as seen in the story of a mother shaped by a painful past. Born to Russian and Swedish refugee parents who fled hardship, she grew up in a world of scarcity and suspicion. Their trauma fostered a deep distrust of others, which she internalized and passed on to her son, teaching him to see ulterior motives in all “outsiders.” Her bitterness, rooted in her parents’ struggles and her own hurts, made her love fierce but guarded, often expressed through skepticism of others rather than warmth. Her son, influenced by this worldview, struggled with the same skepticism.
As her health declined, her son prayed for her to find peace. During a 2016 visit, she unexpectedly asked, “How can you be sure you’re going to heaven?” Stunned, he shared what she already new and had actually taught him many years ago, the gospel, knowing she had trusted Christ but regretted not living it fully. Her next question— “What if you trusted Christ but haven’t lived it?”—revealed her longing for a life aligned with God’s purpose. He explained that she remained God’s child but had likely missed the joy and blessings of walking closely with other brothers and sisters in Christ. Though he hesitated to confront her deep-seated bitterness, God was already working.
In her final days, she asked to see a picture of his family, and though she had lost the ability to speak at this time, she expressed love openly by lovingly hugging the picture, and apologized to her son with her eyes for any hurt caused—a breakthrough in a family relationship where love was rarely voiced. Most remarkably, when her granddaughter asked about a woman she had not really know, the son replied, “Oh honey, I wish you had known her, she loved you so much. This act of reconciliation and forgiveness, released decades of pain from her parents’ hardships and others’ betrayals, embodied Ephesians 4:32: “Be kind to each other, tenderhearted, forgiving one another, just as God through Christ has forgiven you.” By living her final days loving and giving as Christ did, she passed unencumbered into God’s presence, showing that true meaning comes from serving others, not clinging to self hurt.
The Book of Ecclesiastes captures the futility of seeking meaning in the self, a theme mirrored in the works of existentialist artists like Mark Rothko, Jackson Pollock, and Francis Bacon. In Ecclesiastes, the Teacher declares, “Vanity of vanities, all is vanity” (Ecclesiastes 1:2), reflecting on the emptiness of pursuing wealth, pleasure, and self-defined purpose apart from God. He laments that “all was vanity and a chasing after wind” (Ecclesiastes 2:11), as his efforts to find meaning through wisdom, indulgence, and achievement left him unfulfilled. This echoes the narcissistic allure of existentialist art. Rothko’s abstract paintings, like the one sold for $37.8 million, invite viewers to project their emotions onto a seemingly empty canvas. Pollock’s chaotic drip paintings, such as No. 5, 1948, reflect a frenetic search for meaning through self-expression. Bacon’s distorted figures, like those in Three Studies for Figures at the Base of a Crucifixion, confront the anguish of the human condition, forcing viewers to grapple with their own despair. These works, celebrated for their ambiguity, turn “nothing” into something by centering the viewer’s ego, aligning with Jean-Paul Sartre’s claim that “man is nothing other than what he makes of himself.”
Yet, Ecclesiastes reveals the hollowness of this approach. The Teacher concludes that true meaning comes from fearing God and keeping His commandments (Ecclesiastes 12:13), not from chasing self-defined purpose. Today’s culture of social media, personal branding, and curated identities amplifies this “vanity,” leaving many in Gen Z feeling like untethered astronauts, battling chronic stress and isolation. Happiness research confirms that true flourishing comes from relationships, not self-absorption. Warren Buffett, living in his modest 1958 Omaha home and valuing his marriage above all, embodies this truth. Gen Z is responding, opting out of the rat race, prioritizing family over career, and seeking community in smaller towns.
While existentialist art and Ecclesiastes’ early chapters reflect the bleakness of a self-centered world, the Bible offers a vibrant alternative. Unlike the ambiguous voids of Rothko, Pollock, or Bacon, Scripture paints a clear picture of meaning through metaphors of light, redemption, and sacrifice and the end of all things culminating in eternity with God, the God who loves more than we can understand. It calls us to live as Christ did—giving ourselves for others. Jesus’ life of service, culminating in His sacrifice on the cross, shows that true purpose lies in loving and serving those around us. As Dwight L. Moody said, “The Bible was not given for our information but for our transformation.” This transformation requires confessing sin, drawing near to God, and living as “the light of the world” (Matthew 5:14).
What is so exciting, is…Gen Z is embracing this path. Unbelievable in a few short years ago, Newsweek and Vox report a rise in religiosity, with revivals on college campuses and more young people reading the Bible. The counter culture professors that emerged from the 60’s and 70’s are aging out. Even in secular Silicon Valley, spiritual awakenings are emerging. Abby Laub, from Asbury University’s 2023 revival, notes that Gen Z is “desperate for something other than what the world is giving them” which turns out to be simple a self absorbing of the brokenness of a culture marked by sexual liberation, pornography, and fractured families has exposed the lie of self-defined meaning. In contrast, Christianity offers a life of giving—forgiving as Christ forgave, loving as He loved, and serving as He served.
Existentialist art, with its focus on the self, underscores the futility of a narcissistic cultural lifestyle, where “nothing” is celebrated as something by centering the individual self. Ecclesiastes warns that such pursuits are “vanity,” a chasing after wind. The mother’s journey from bitterness to forgiveness and love reveals a better way—living for others, as Christ did. Her transformation, releasing the pain of her refugee parents’ legacy and her own distrust, shows that meaning comes from giving, not grasping. The Bible, unlike the vague canvases of existentialist art, paints a vivid picture of hope, calling us to embody Christ’s selflessness.
As Christians, we must lead by example, living out Ephesians 5:18’s call to holistic holiness and shining as lights in a dark world. The darker the room, the more compelling our light becomes. A church sign’s message rings true: “If Jesus did it for me, He’ll do it for you.” By living for others, we offer Gen Z—and all who seek meaning—a path out of the vanity of narcissism and into the abundant life Christ promises, fulfilling the Teacher’s wisdom to “fear God and keep his commandments” (Ecclesiastes 12:13).