NO

http://www.dancemagazine.com/blogs/wendy/4768

 

While she does have the rights to her own opinions (which are highly educated, I’m sure), I strongly disagree with some of the points Wendy Perron made in this article. In some ballets, uniformity is a necessity when it comes to costuming. Depending on what the choreography is, the dancers NEED to look the same on stage. I know for a fact that the costumes she claims to despise had a lot of thought put into them. There was reason behind each of the costumes and I am sure they were beautifully done. I do appreciate her view that costumes should have some individuality– but only in very specific contexts. Contemporary work is much better suited to her idea of a “good costume.” Leave the classical ballet costuming to the experts, Wendy. They know what they’re doing.

Brothers in Ballet

http://news.yahoo.com/blogs/trending-now/young-boys-meet-friends-discover-brothers-185007313.html;_ylt=Ajzr7Ks_xRkaNb178a6PE7G1qHQA;_ylu=X3oDMTQxMGFncjdvBG1pdANNb3N0UG9wdWxhciBMaXN0aW5nBHBrZwNiN2EyMzMyNC1jOGQ1LTM1NTktOGQwOC01MmMyMDNlOTMwY2UEcG9zAzI0BHNlYwNNb3N0IFBvcHVsYXIEdmVyAzc0OGVkYWEwLTM5OGMtMTFlMi1iZWZmLTVmNzU3MTliYmFmNA–;_ylg=X3oDMTFsNnAxMGFjBGludGwDdXMEbGFuZwNlbi11cwRwc3RhaWQDBHBzdGNhdANwb3B1bGFyBHB0A3NlY3Rpb25z;_ylv=3

 

 

This is a very sweet story that I think would make a really great ballet. It’s a new and creative twist on anything that’s been done before yet it has a lot of potential for a great classical setting. Very traditional costumes and old-timey fashion, with pure, dense classical choreography. The boys could have a struggle between where to live– a factor of relocation. There would be much sadness in the caretakers, or “mothers”, and the boys could each partner their adopted moms. It would be a sweet variation on the usual love story. The boys would begin the ballet with very different choreography and by the time the finale came along they would be dancing in unison, with a blend of each boy’s style. I would love to see that come to life on stage. Truly creative.

Minnie’s!

  1. What did I learn about Minnie’s and the community it serves?

I learned the functions of a food pantry, from what it does to how it’s done to how many volunteers are actually needed. I learned that there are homeless and hungry people everywhere, and my eyes were opened to see that even the people you least expect would be in need may have harder lives than you think.

2. What is unique about Minnie’s Food Pantry?

I think Minnie’s is unique in the fact that it makes everyone it is serving feel very special. The red carpet, the select groceries, and the energetic and friendly volunteers really do make a difference in the way the volunteers and the needy view hunger.

 

3.What type of awareness would I like to raise in regard to Minnie’s Food Pantry?

Because it is so much work to run a food pantry, I think I would just like to tell people that it really is necessary to volunteer for organizations such as these. Helping others is something we should all engage in, and I’d also like to raise the awareness that, yes, it makes YOU feel good too!

 

4.What have I learned about poverty and hunger in North Dallas?

It is much more prevalent than I expected and I have learned not to underestimate the power of a terrible economy, even in such wealthy areas as north Dallas.

 

5. Why was this engagement important?

It brought the dancers awareness and unity and gave us something to think about other than ourselves, which we often get caught up in doing.

 

6. How can I use what I’ve learned through volunteering at the Food Bank to serve my art?

Every experience you have volunteering and doing things for others’ benefit increases your awareness of society. With more awareness an artist can more accurately convey what they mean in their work and make social statements with a more worldly point of view.

 

7. What is the message I’d like to send out?

VOLUNTEER! It’s beneficial to everyone involved.

 

8.How can dance be a vehicle to catalyze social-justice and social change?

Pieces of choreography could be created to convey social issues and possible solutions to the problems. Also, you can reach out to others (children specifically) by giving lessons in dance and educating people in the way that movement brings us together.

Movies & Ballet

http://news.yahoo.com/wizard-oz-dress-fetches-480-000-auction-013601655.html;_ylt=AjjH7GaE7ak9W8aipnJPxVm1qHQA;_ylu=X3oDMTQxMG1zdnVoBG1pdANNb3N0UG9wdWxhciBMaXN0aW5nBHBrZwNlYTdiZDExMy02ZWMzLTMxMjAtOTUzMS1kODIxNGYyNDg4MTIEcG9zAzIyBHNlYwNNb3N0IFBvcHVsYXIEdmVyA2JhMzI5MzczLTJiYzMtMTFlMi05ZjNiLTg3NzI1YWU0MzhiNw–;_ylg=X3oDMTFsNnAxMGFjBGludGwDdXMEbGFuZwNlbi11cwRwc3RhaWQDBHBzdGNhdANwb3B1bGFyBHB0A3NlY3Rpb25z;_ylv=3

 

 

I love the Wizard of Oz. It has been a favorite movie of mine since I was very small. I think it’s so cool that someone now owns the dress that Judy Garland wore in the film and I hope it is well taken care of for years to come. It baffles me how popular movies are. We can go sit in a dark room for 2 hours and completely lose ourselves in a story. I wish more people felt that they could do that with ballet. I think it takes a more well-rounded entertainment palette for people to lose themselves in good dance. If only I could share how it makes me feel with everyone. If people understood that dance is the most beautiful and natural thing on this planet, they would be watching as many ballets as they do movies. They’d be paying $480,000 for tutus and Barynshnikov’s tights.

Passion, courage, and insanity

http://news.yahoo.com/china-says-18-old-tibetan-self-immolates-033516046.html;_ylt=Ai3Cv3iUqm4ZbQeLB9lJzbe1qHQA;_ylu=X3oDMTQxZWZtNHZuBG1pdANNb3N0UG9wdWxhciBMaXN0aW5nBHBrZwM1ODFiMWZlZS02NWI3LTMyOGYtODZiZC03MTFjODAyMmE2ZTMEcG9zAzQ4BHNlYwNNb3N0IFBvcHVsYXIEdmVyA2VkNTBjYzMwLTJiYjAtMTFlMi1iYWFiLTZmOWU3Y2UzYjRlOA–;_ylg=X3oDMTFsNnAxMGFjBGludGwDdXMEbGFuZwNlbi11cwRwc3RhaWQDBHBzdGNhdANwb3B1bGFyBHB0A3NlY3Rpb25z;_ylv=3

 

Although I do believe that setting yourself on fire in protest of the government is absolute insanity, I must say that this is quite an act of passion. I’ve never met someone who would do something so courageous (again, that is debatable) for what they believe in. I think dancers are very courageous as well, spending their lives chasing after their elusive dreams. They must be so passionately involved in what they do in order to survive. I love that about dancers. We are passionate and adventurous, and often unafraid.

 

 

(Untitled)

http://news.yahoo.com/east-coast-rape-suspect-women-were-objects-172941109.html;_ylt=AgCvhs.VDgojzOrZpyKpiu21qHQA;_ylu=X3oDMTQxaDV0MHA3BG1pdANNb3N0UG9wdWxhciBMaXN0aW5nBHBrZwM4YWE3MzlkYS1mYWFiLTNkY2MtOTI4Mi00NDQ5M2YzZTM1YzcEcG9zAzMwBHNlYwNNb3N0IFBvcHVsYXIEdmVyAzJjMjkyMmNjLTJjM2QtMTFlMi1iNTdiLTNjZDkyYmZmMjAxNg–;_ylg=X3oDMTFsNnAxMGFjBGludGwDdXMEbGFuZwNlbi11cwRwc3RhaWQDBHBzdGNhdANwb3B1bGFyBHB0A3NlY3Rpb25z;_ylv=3

 

The man in this article is said to have started rebelling at a young age. I thought of Texas Ballet Theatre’s Peer Gynt, where the main character is a “bad boy” from the start. He preys on women as though they are objects, similar to the man in this story. His delinquencies build upon each other, increasing in severity until he nearly meets death at the end.  Here’s an image of Peer from the show:

 

Shut up girl

http://music.msn.com/music/article.aspx?news=770930

I’m sorry this isn’t really the best “news article” but I just had to.

My response to this [AS AN ARTIST] is, “really Madonna what da hell.”

 

Are you really an artist if you’re detracting from your ‘art’ by making your stance on politics more of a priority than your music? I don’t yell out OBAMA!!! in the middle of the second act of The Nutcracker! Why was it necessary for her to say that? Why lose fans who love you for your art over something totally irrelevant? If anything, she could have written a song implying her support for some of Obama’s causes. It’s silly for her to just shout something so controversial. Leave your fans to their own opinions, and leave your focus on your art. Thank you very much.

Blooooooooood

http://www.washingtonpost.com/lifestyle/style/washington-ballets-dracula-swoops-slithers-with-blood-curdling-style/2012/10/28/32f0ad02-213c-11e2-ac85-e669876c6a24_story.html

 

With all the hype about vampires these days, it is no surprise that many ballet companies are opting to re-create the classic Dracula on stage. This rendition seems to be particularly stunning. I really love the description of Washington Ballet’s newest principle, Hyun-Woong Kim. Described as having a “mesmerizing slinkiness,” he is exactly how I imagine the ideal Dracula to be. “He perfects the slow-poured, hip-forward strut of a flamenco dancer, every motion emanating from the small of his back, and he matches this with a no-nonsense look in his eyes that’s at once blistering and icy cold.” Immediately I recall watching Houston Ballet’s Peer Gynt this afternoon at the Music Hall at Fair Park. The “man in black” that sweeps Peer Gynt away to an asylum had the darkest stare and the most sensuous and yet demanding strut I have ever seen on stage. This is exactly how I imagine Hyun-Woong to appear in Dracula. OH MAN I LOVE BALLET. I’m giddy.

 

-Signed out-

(Untitled)

http://www.howlifeworks.com/Article.aspx?Cat_URL=health_beauty&AG_URL=brain_training&AG_ID=291&cid=8088oj6_news_z

 

Immediately upon finding this article I was able to relate it back to my ballet dancing career. Repeating cranial exercises stimulates the brain to work more effectively… does MUSCLE MEMORY sound familiar to anyone?? Anyone??

 

Hello! What do we do at the barre every day of our lives?? Repeat, repeat, repeat. If those 2 million dégagés were useless, trust me, we wouldn’t be doing them. Working our muscles the right way over a period of time ensures that when we are auditioning, and on stage, we will perform with top notch technique and absolute precision. That’s why it’s so important to work properly in class. Your body needs to learn things right so it does them correctly later on. Just like the article says, it builds strength, too!