Blog 6: The Plan in My Perfect World

It’s hard for me to think about making a plan for my future now, just because so many things can and will change before I begin a career. However, I do have a plan for what my perfect future would be like. There are still quite a few holes in my plan, but there is a basic outline that I would stick to in my perfect world.

As of this moment, I am planning to double major in Dance and Biochemistry. While I’m confident that the Dance component of my degree will not change, I’m still not entirely sure I will stick with Biochemistry. If I decide to change it, however, it will probably be to another science. I don’t have any doubts about Biochemistry right now, but I’m allowing for the fact that a lot my change before graduation in (hopefully) three and a half years. I think this dual degree path really gives me an edge because I will constantly be using both the creative and analytical sides of my brain. I can approach art with a new perspective, one mixed with logic and analysis. During my senior year, I plan to start auditioning to dance in a company. I would prefer to find a company that focuses mainly on classical and contemporary ballet, but as long as I am dancing, I won’t be picky.  I know that I will start out in a corps or even apprentice position, but the experience gained will hopefully allow me to move through the ranks and earn larger part. One place I will definitely audition is for the ballet company in my hometown, Ballet Nebraska. As it is a fairly new company, I would love the opportunity to help it grow and reach new audience in Nebraska, where there is very little dance. I am also aware that dancers, especially in small companies, rarely make much money. If it allows me to pay the bills while continuing to dance, I am willing to work a “day job.”

Now for the second part of my plan. I do have one qualification for a dance company in which I would like to work. The ideal company would be in a state where there is a veterinary graduate school, like Iowa, Kansas, Texas, Oklahoma, etc. While working at a dance company in one of these states, I could establish residency so as to pay in-state tuition when I applied to veterinary school. If I were to dance with Ballet Nebraska, I could live in Council Bluffs, Iowa and make the short commute to Omaha everyday for work. It has been one of my dreams, alongside dancing, to be a veterinarian. After my career in dance, however long- or short-lived, I plan to apply to veterinary school, become a veterinarian, and eventually own my own practice.

So there you have it. That is the ideal plan for my career path after college. To this end, I think I am taking the right classes and pursuing the right majors to acquire the skills I will need. I may need to pick up a business course or two, if I can fit them in, but that’s in a perfect world.

Three Decade Career

Article:
“The Choreography of Goodbye”
by Brian Seibert
The New York Times
http://www.nytimes.com/2012/11/25/arts/dance/renee-robinson-ailey-dancer-retiring-after-three-decades.html?ref=dance

Artistic Response:
This article is inspiring because of the amazing career Renee Robinson has had. She has been in one of the most well-known dance companies in America for over thirty years, and she earned her place in the company by persevering and continuing to audition, even after being turned down twice. Ms. Robinson is a great role model because she had an inspiring career in dance despite going into college unsure about her future. Her story just makes me think that life can be so unpredictable, but it usually works out for the best. As my artistic response to this article, I wrote a poem describing my reactions to Ms. Robinson’s story.

Began with dreams of law
But with the push from her friends
Took a chance on dance

Two auditions past
Yet she was not discouraged
And tried again

The third try began
A career of three decades
It will continue

Black Thursday

Article:
“Turning Thanksgiving Day Into Black Thursday”
by Jay Goltz
The New York Times
http://boss.blogs.nytimes.com/2011/11/30/turning-thanksgiving-day-into-black-thursday/?ref=blackfriday

Artistic Response:
This article caught my interest because I had reflected on this issue before. The author made some great points that I hadn’t even thought about, like the fact that the employees of the stores that open early have to be there before customers even start lining up. Not only are consumers skipping out early on family time to wait in lines, but employees are required to work on a holiday usually reserved for rest and family. And football, in some households, but I digress. Would it really be such a bad thing to open the store at 9 a.m.? As my artistic response to this editorial, I sketched a cartoon that I think represents this transformation of Thanksgiving.

Bodies

Article:
“Fit Bodies Immune to Time and Place”
by Claudia La Rocco
The New York Times
http://www.nytimes.com/2012/11/15/arts/dance/complexions-contemporary-ballet-at-joyce-theater.html?ref=dance&_r=0

Artistic Response:
This article about Complexions Contemporary Ballet reminded me of the Stephen Petronio Company performance that I had the opportunity to see on Friday night. Both companies seem to wear very little as costumes to show of the lines and strength of the bodies of the company members. Sometimes it’s almost distracting to me how little the dancers are wearing, and I focus more on the chance that I might have to see some nudity, rather than the choreography. I think it can detract from the dance when the costumes are too revealing. As an artistic response to this article, I have a picture of the main curtain at Stephen Petronio. It represents the anticipation before a show, before you form any opinion and while you are simply excited about what is to come. 

Pompeii’s Shadow

Article:
“Escaping the Shadow of Pompeii”
by Elisabetta Povoledo
The New York Times
http://www.nytimes.com/2012/11/15/arts/design/herculaneums-ruins-are-revived-by-philanthropy.html?src=rechp

Artistic Response:
I choose to respond to this article because I have visited Pompeii. Pompeii was one of my favorite sites in Europe, and I can’t help but wonder what my reaction would have been to this even more intense site, Herculaneum. I had never even heard of Herculaneum before reading this article, and it seems to deserve as much, if not more attention than Pompeii. As my artistic response, I have attached two photographs: one from Herculaneum that was in the article and, for comparison, one that I took in Pompeii. The one from the article is so much more powerful than the display behind the glass.

Minnie’s Food Pantry

The freshman dance majors at SMU recently volunteered as a group at Minnie’s Food Pantry in West Plano. We discussed the experience in class, and we hope to spread awareness about the work that they do. Check out their Facebook page: https://www.facebook.com/minniesfoodpantry

1. What did I learn about Minnie’s and the community it serves?
Minnie’s is a non-profit food bank that gives food to the hungry in West Plano. The clients are mostly young and struggling to support themselves.

2. What is unique about Minnie’s Food Pantry?
Minnie’s is unique because everyone there really tries to make the clients feel better about their situations. The atmosphere is fun and the clients walk down a red carpet to get their food, showing them their importance.

3. What type of awareness would I like to raise in regard to Minnie’s Food Pantry?
I would like to continue to volunteer, but I think that just spreading the word about the food pantry is important. People would definitely be willing to help such a worthy cause, but because they are a smaller non-profit, they just need people like me to tell everyone about it.

4. What have I learned about poverty and hunger in North Dallas?
I’ve learned that poverty exists in even the richest neighborhoods in America. Minnie’s is situated in Plano, a very wealthy area, and there are still plenty of people who need support to feed their families. I also think it’s important that it’s impossible to tell who is poor or hungry. The people coming to the pantry for help often look no different than the volunteers.

5. Why was this engagement important?
This engagement was important because it helped me step out of my little SMU bubble and see that people need help not very far away from me. I believe that engagement always leads to more engagement, and I’d like to continue finding ways to volunteer and engage myself in the community.

6. How can I use what I’ve learned through volunteering at the Food Bank to serve my art?
I can use the experiences I’ve had and the emotions associated with them to create art and share what I’ve learned and felt with others.

7. What is the message I’d like to send out?
I want to send out the message that poverty exists, but that together, we can do something about it.

8. How can dance be a vehicle to catalyze social-justice and social change?
Dance is the ultimate way to share emotions and experiences with others, and if these experiences deal with social change, dance can motivate people to want these experiences for themselves.

Martha

Article:
“Martha Graham Sets and Costumes Damaged by Hurricane Sandy”
by Daniel J. Wakin
The New York Times
http://artsbeat.blogs.nytimes.com/2012/11/02/martha-graham-sets-and-costumes-damaged-by-hurricane-sandy/?ref=dance

Artistic Response:
I chose this article because we recently watched a documentary in Modern class about Martha Graham, and many of the damaged pieces were featured in the film. It’s a shame that such enduring elements of Martha’s work have been damaged; though I’m sure that everything will be reconstructed to the best of ability. As of yet, Martha’s work has continued to endure, and I doubt that a bit of flooding will be much of a setback. As my artistic response to this article, I wrote a pair of haiku.

Graham and Noguchi,
Fruitful collaboration,
Six feet under floods.

Hurricane Sandy
Cannot stop the legacy.
The art will endure.

Past and Present

Article:
“Construction Site Offers Fleeting Glimpse of the Civil War Past”
by Theo Emery
The New York Times
http://www.nytimes.com/2012/11/12/us/construction-site-offers-fleeting-glimpse-of-the-civil-war-past.html?pagewanted=1&hp

Artistic Response:
I just found this article fascinating. It’s amazing how something as mundane as an everyday construction job can be transformed by something so extraordinary: untouched artifacts from the civil war era. It’s hard to believe how easily we forget our history as we go about our everyday lives, and it takes an instance like this for us to reflect on our past, on the events that formed our country. This article reminded me of a site I recently found online with pictures from World War II superimposed on the same locations in modern day. Even though they’re European and a different war, they reflect the same concept of the Ambrose Burnside, just for your enjoyment.
http://www.buzzfeed.com/rsultan/9-haunting-then-and-now-photos-of-wwii-europe

Zenon

Article:
“Dance Matters: Zenon Zings On”
by Linda Shapiro
Dance Magazine
http://dancemagazine.com/issues/November-2012/Dance-Matters-Zenon-Zings-On

Artistic Response:
Two things stuck me about this article. First of all, our own Danny Buraczeski is mentioned as a key choreographer for the company, which just goes to show you the spectacular quality of the dance faculty at Southern Methodist University. Secondly, the only thing I could think about when I read the title of this article was the Disney Channel original movie from my childhood,  Zenon: Girl of the 21st Century, circa 1999, and the subsequent movies, Zenon: The Zequel and Zenon: Z3. Clearly, the dance company came first, as they are celebrating their 30th anniversary, but as a child of the 90s, I cannot help but make this association. As my artistic response, I have posted a song from the movie to show my associations.
http://www.youtube.com/watch?v=KygD_QLpKeU

Disconnect

Article:
“Disruption From Storm May Be Felt at the Polls”
by Michael Cooper
The New York Times
http://www.nytimes.com/2012/11/03/us/politics/hurricane-sandy-threatens-to-disrupt-voting-on-election-day.html?hpw

Artistic Response:
This article caused me to reflect on how disconnected I feel from the outside world while living on this campus. I tend to get wrapped up in my own stresses and daily activities that I don’t take the time to read or even watch the news. This article describes both the destruction of the east coast by Hurricane Sandy and the upcoming election. These are major events for America at present, and I haven’t really been paying much attention. I used a photograph to describe the disconnect I feel while being slightly sheltered on this college campus. I will try to take this realization and be a more active participant in the world around me.